In 1969 Helnwein painted a portrait of Adolf Hitler and was expelled from the art school on the grounds that any remainder of the National Socialist era was not only damaging to the school but to society at large. Repression of National Socialism had been official government policy, in which the Austrian people were complicit. Based on this situation, Helnwein developed a visual language of apocalyptic visions that can be understood all over the world. ...

Van de Griff's sixth annual realism invitational show presents works by more than 30 artists including photorealism pioneers Don Eddy and Gottfried Helnwein as well as Alessandro Papetti, Janine Stern, Richard Thomas Davis, Deborah Deichler, Dan Griggs, Tony Ryder and Woody Gwyn. ...

... companies: Among others, Joel-Peter Witkin's repugnant, prosthetic-clad Dominatrice, from 1988, is here, as is Gottfried Helnwein's barbaric 1987 Self-Portrait, depicting his own torture with surgical tools. By exploring the simpler technique ... ...

Apokalypse is also the title of a show which brings one of Austria's most controversial figures back to his home country. Gottfried Helnwein's work will be featured in his first solo exhibit in Austria in the past ten years. ...

According to the theory that to find good young artists you should ask older artists what they think, Exit Art has organized this show: 24 artists, most of them novices to the scene (Charles Clough is the exception), were picked by 13 artists. The international selectors included Damien Hirst, Sam Taylor-Wood, Nari Ward, Gottfried Helnwein, Ronald Jones, Cindy Sherman and Kiki Smith.
The results aren't bad. Among what's notable are Iris Andraschek's creepy fish-tank concoctions, picked by Gottfried Helnwein... ...

Art viewers who consider themselves shockproof should take a look at German painter Gottfried Helnwein's show... ...

The eyes are plucked out because they are no longer needed, is the first thought the Gottfried Helnwein exhibition creates. Helnwein's most widely known work is probably the self-portrait made for the 1982 Scorpions record cover. In it recurs the same subject matter which Helnwein had put to use in dozens of works. ...

"My works are questions, not answers", says the Austrian, Gottfried Helnwein, time and time again focusing on the most sore points of contemporary, general and private history. ...

The child has grown into a world famous artist. But he has carried his questions with him. Today opens a large retrospective exhibition of Helnwein's art in Waino Aaltonen Museum of Art in Turku. The exhibition contains aquarels, oil paintings, drawings and photographs. They have often caused controversies by dealing with subjects that are all too sensitive. ...

The "Sehnsucht" cover, designed by Austrian artist Gottfried Helnwein, shows ashen-faced band members bound, poked and disfigured by painful looking clamps and wires. The band's publicity photos are just as grisly ...

Logan, a 53-year-old investment banker, leads a tour of his house in the Marin County town of Tiburon, perched above the San Francisco Bay. The eclectically furnished, art-packed living room sets the tone. On one side of the room, Untitled (Venus/The Great Circle) by Jean-Michel Basquiat hangs catercorner to David Park's brooding canvas The Bathers. Across the way, Andy Warhol's Double Jackie faces off against The Room, a whimsical Philip Guston. There's a ravishing, newly purchased early Hockney, Seated Woman Being Served Tea, in the dining room, and looming above a stairwell is Gottfried Helnwein's powerful Untitled (Child). ...

The exhibition in the WA Museum of Art by the Austrian artist Gottfried Helnwein does not make you happy, but it does feel good - in a masochistic way. With his works Helnwein proves that under a sophisticated facade this world is a wretched place to live in. In an interview he says: "I know that individuals are poorly treated on this planet. They are being harmed and subdued. And all this is covered by optimistic propaganda. Far before I began painting I felt that humanity was in a dire state. The pain reaches out to everyone, even though it is rarely spoken of. Nonetheless everyone wants to overcome the pain, to transcend it." ...

As befits the first part of David Glass' Lost Child Trilogy, the pervasive image is one of children abandoned, clinging for security to a few souvenirs and memories of a childhood washed away by tides of fear and loneliness. Yet everyone viewing this production will tell you their own interpretation of what they thought they saw. Some may refer to Jung, Freud or Janov, to the bandage-wrapped anguish art of Gottfried Helnwein or the bleak emotional desolation of Edvard Munch, or argue that the piece is an exploration of the loss of innocence, the bondage of family ties, or the rituals of pain involved in leaving childhood behind. ...

Austrian-born artist Gottfried Helnwein is a brave, often overlooked, and unfairly compared virtuoso of versatility. In his work, he forces us to confront, via his visual wit, brio, and candor, the human face of violence and angst. The recent solo retrospective of over 400 works on view at the Marble Palace, the contemporary wing of the Russian State Museum in St. Petersburg, proved Helnwein a master of many forms: from painting to installation, from photography to illustration, from sculpture to performance. His flexibility is so impressive that he almost seems a hoax. ...

Kent Logan, a San Francisco collector, amasses his art in true corporate fashion: with flow charts mapping what he has and what he doesn't. Hs most extensive acquisitions include, below from left, Francesco Clemente's "Self-Portrait" (1984), Mark Tansey's "Occupation" (1984), Cindy Sherman's "Film Still #6" (1977), Gottfried Helnwein's "Untitled (Child)" (1996) and Anselm Kiefer's "Operation Sea Lion" (1975). ...

. . . Barnaby Conrad III and Martin Muller were in St. Petersburg to see Austrian artist Gottfried Helnwein's retrospective of 450 paintings at the State Museum. Helnwein is prolific; Martin always has a dozen or so of his paintings at his gallery, Modernism. ``In Germany some refer to Warhol as pre- Helnwein,'' said Barnaby, who has a Helnwein in his home. Get the picture? ...

The Russian Museum's Marble Palace is showcasing over 100 of the artist's paintings, drawings, photos and sculptures for the next two and a half months, allowing St. Petersburgers to experience for themselves what the museum's curator, Alexander Barovsky, calls Helnwein's "unique combination of strong radicalism with Pop-Art." ...

Gottfried Helnwein- Retrospective in the State Russian Museum, St Petersburg ...

MTV: Sigismondi and Bowie both acknowledge lifting the imagery in his "Dead Man Walking" video from the work of the English painter Francis Bacon.
The look of Floria's most noted video to date, though, [QuickTime,1 MB] "Beautiful People," although it owes a debt to Austrian painter Gottfried Helnwein, was pretty much the inspiration of the artist, Marilyn Manson.
KURT:
The new wave of rock-video grotesquerie isn't new at all, actually, the Austrian painter Gottfried Helnwein, whose self-portrait adorned the cover of an album by the German band Scorpions some years back, was doing images of medical horror twenty years ago,
and no one in rock has gone as far down the road to happy depravity as photographer Joel Peter Witkin, whose deeply disturbing work, which you might best seek out on your own is much admired by Nine Inch Nails leader Trent Reznor, no slouch at images of icky sickness himself. ...

It's been said that a great portraitist can capture his subject's essence on film.
If you've never come across a photographer who's lived up to that standard, check out Helnwein. He turns our cultural idols into flesh and blood human beings, whether they like it or not. ...