Konsequent und virtuos. Technische Meisterschaft und auch die Konsequenz einer packenden sozialkritischen Thematik offenbaren sich in dieser Ausstellung: Gewalt, Schmerz, Verletzung werden dargestellt. Den Körper ebenso wie die Psyche betreffend. Helnwein dokumentiert hier in Linz einen künstlerischen Reifegrad, der eine weitere Steigerung kaum vorstellbar macht. Seine Eingriffe sind von einer schmerzhaften Unmittelbarkeit, deren emotionale Energie weit über die großen Bildformate hinaus den Raum und sein Publikum ergreift. (Irene Judmayer - Oberösterreichische Nachrichten) ...

ALL CONTENT © NICK KUSHNER 2006
EXCLUDING IMAGES BY GOTTFRIED HELNWEIN ...

Gottfried Helnwein Viyanalı bir sanatçı. Fotoğraf çekiyor, resim yapıyor, karışık tekniklerle hazıladığı dev boyutlarda işleriyle açık alan enstalasyonları düzenliyor. İşlerinin hepsi tuhaf, tedirgin edici ve çok etkileyici. Sanatçının işleri 10 Mart – 5 Haziran 2006 tarihlerinde “Gottfried Helnwein: Face It!” adlı bir sergi ile Avusturya’nın Linz şehrindeki Lentos modern sanatlar müzesinde sergilenecek. Linz şehri, her yıl düzenlenen dijital sanat festivali “Ars Electronica” ile tanınıyor, ancak ne yazık ki Helnwein’ın sergisi ile festival aynı tarihlere rastlamıyor. ...

Un rientro in Austria, dopo un volontario esilio. Sembra che ad averlo trascinato da queste parti sia stata la corrente del Danubio, giacché l’approdo è avvenuto sulla riva di questo fiume. Dove spicca un museo...
Lentos ha fatto, e fa, parlare di sé. È il nome della nuova sede del museo d’arte contemporanea di Linz, ricca e famosa città danubiana. Lentos è un grande edificio dalla forma di parallelepipedo con epidermide di vetro, che dal tramonto all’alba cambia colore in continuazione. Ha la vocazione cromatica del camaleonte, ma non per mimetizzarsi, anzi tutto il contrario. In effetti anche le mostre che propone hanno la seduzione del richiamo impetuoso e un taglio particolarmente penetrante. Come quella in corso, per esempio: sfacciata, perturbante, provocatoria fino all’insostenibilità. È tutta così l’opera di Gottfried Helnweil (Vienna, 1948): le sue armi pittoriche sono fin troppo figurative, il suo linguaggio più che realistico, le sue trame sempre inquietanti. Face It, titolo della mostra, è una retrospettiva e una mostra tematica nello stesso tempo, dove il viso umano è soggetto e leitmotiv. ...

Drei Topfilme über den Starkünstler Gottfried Helnwein - darunter eine brandneue, 2006 entstandene Dokumentation.
19.00 Uhr "Der Provokateur" von C. Teissig, 2006 (45 min.)
20.00 Uhr "Helnwein" von Peter Hajek, 1984 (45 min.)
21.00 Uhr "Neunter November Nacht", 2003 (25 min.) Dokumentation über Helnweins Aufsehen erregende Kölner Aktion zum 50. Jahrestag der "Reichskristallnacht" ...

I have a few weeks to choose my destination for my next University year.
PLEASE GIVE YOUR OPINION!!!
Both cities are the capitals of the countries, both are beautiful, both have a big history behind them & I'm in love with both of them.
VIENNA:
It's the city of Beethoven, Strauss, Falco, Klimt, Hundertwasser, Helnwein, Kaiser Franz-Joseph, Sissi, Sigmund Freud, ... It's the country of Mozart, Swarovski, Arnold Schwarzenegger, Schubert, Haydn, ....
Main language: German
It's the 4th most visited city in Europe. ...

About two days ago I saw the Gottfried Helnwein portrait on TV, and though it was roughly 45 minutes only, it showed much of what I expected before... The best aspect about this film was the portrayal of his intention, which eventually led to the moment where my mother understood that he shows what others look away from or ignore, but not what he himself thinks to be "beautiful" in the sense of perfection or what he personally adores. Another thing: a quote. "Ich habe meine Nase in alles reingesteckt, wie eine Wildsau."
He said something like this, referring to the differend media he used and uses. Me and my girlfriend
were laughing, and we believed what he said. ...

Κοιτάζοντας το τελευταίο τευχος του spartandog θυμήθηκα τον Gottfried Helnwein. Eίναι γνωστός στο ευρύ κοινό για την αυτοπροσωπογραφία του, που το 1982 έγινε εξώφυλλο του blackout των scorpions. Σαν εικαστικός γενικότερα χαρακτηρίστηκε απο τους αερογράφους και τα ακρυλικα που έκανε τις δεκάετιες 70 και 80 που σοκάριζαν και προκαλούσαν με τα "φιλο-νοσοκομειακα" και βίαια θέματα του. ...

Gottfried Helnwein - ein künstlerischer Anarchist aus Prinzip. Seine Bilder erzählen von apokalyptischen Visionen. Schon seit Beginn seiner Karriere ist Helnwein umstritten. Claudia Teissig porträtiert den genialen Blickfänger. ...

Flickr is almost certainly the best online photo management and sharing application in the world. Show off your favorite photos to the world. Flickr: Photos tagged with lentos - Gottfried Helnwein - Ausstellung @ Lentos, Linz From ernstl · Lentos Helnwein From Gnal · Lentos Art Museum on the Danube From spullara · Lentos at Nigh ...

Katalog. Linz 2006. Beitr. von Stella Rollig, Thomas Edlinger u.a. 4to. 224 S. mit 203 meist farb., teils ganz- bzw. doppelseit. Abb., Chronologie, Ppbd. - Text in dt. & engl. Sprache.
Bestell-Nr: lgrde-1366901 | EUR 39.90 ...

Did you know that Gottfried "Helnwein also has a strong sense of theatre. He has worked in opera, designing sets and costumes for Maximilian Schell and working with the equally notorious Austrian choreographer Johann Kresnik. His poster for the 1988 production of Lulu at the Deutsches Schauspielhaus in Hamburg caused outrage across Europe. A tiny Sigmund Freud in a long coat stares up at a gigantic woman, who lifts her skirt to expose her vagina. The opposite of porn, it provocatively illustrates Wedekind's view of a sexually ambiguous bourgeois society on the brink of destruction. This iconography overturns the 1929 screen image of Louise Brooks as Lulu in G W Pabst's Pandora's Box. Whereas that film presents us with a face, Helnwein shows the pubis. " . . . according to an article by Julia Pascal in the current issue of New Statesman, a very serious British journal. ...

(October 8, 1948 in Vienna) is an Austrian-Irish fine artist
His early work consists mainly of hyper-realistic watercolors, depicting wounded children, as well as performances - often with children - in public spaces
Besides his realistic work, Helnwein also began to develop abstract, expressive styles of painting during this period.
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صدق أو لا تُصدق .. كل ما سبق مرسوم و ليس مصورا ً، اللوحات مرسومة بأكثر من نوع ألوان، ما بين ألوان الماء و الفحم و الباستل و الأكريليك، و الزيت.
مازلت ُ لا أصدق أن هذه اللوحات مرسومة .. لازلت ُ عاجزا ً إلا عن الانبهار.
ملحوظة : بيكاسو مجرد مجتهد، دافنشي مش قد كدة ، رينوار محتاج يمارس أكتر فن الرسم، فان جوخ عيل في حارة الرسامين .. و لو كل ده مرسوم يبقى أنا جورج كلوني. ...

Christian Brandstätter Verlag, Wien ...

Texts, reviews and essays referring to the art of Gottfried Helnwein in Museums, important art-collections and installations in public spaces.
Texte, Rezensionen und Essays die sich auf die Kunst von Gottfried Helnwein in Museen, Sammlungen und im Öffentlichen Raum beziehen. ...

缠着绷带的孩子，幼稚儿童脸上的撕裂之后再次缝合的伤口。
如同爬虫类一样冰冷而无机质毫不感觉痛楚的眼神。
画者那种权威而细致的表现伤害的冷静让当时的大众无法接受。
71年到73年， Helnwein的作品展览无一不受到抵制。
维也纳的一家画廊展出他的画作，结果不到三天就被迫关闭。
甚至维也纳附近一座城市的市长下令将 Helnwein的作品没收。
当时他的反对者喊出的理由是这些作品是“the Nazis”。
因为他对待伤口、死亡、折磨与伤害是带着那样一种天真的热情态度来描写，所以人们忍受不了吗？ ...

关于他的官方网站的链接,在我的链接列表中有.
咳,关于这个人,当我刚看到他的作品时,恩,是很震撼.但,我更多的,是认为他在哗众取宠,
或是没有内涵的晦涩...
但,当你很仔细地去看他的作品时,你会发现,
嘿,他真的是一个艺术家!
恩...要怎样形容他呢...
他的作品很XXYY,反正再怎么也不是健康小孩该看的东西.
会留下心理阴影的.
当然啦,像我这样已经堕落地穿过但丁的9层地狱,正努力地向中国的18层地狱努力的人嘛...
就无所谓堕落和心理阴影了~
咳,但,我还是要说,因为Helnwein和manson关系不一般...
众所周知,Manson的一般都是N禁的,厄...这个...
个人觉得,这Helnwein也和Manson差不多的说...
有关于小孩的比较血腥和有一点难以接受的照片,
心理承受能力差的人就不要在网站里乱晃了...
but,他的有些作品还是可以看的.
以下,是个人觉得比较可以接受的,也比较震撼的东东: ...

...

baudelaire david cronenberg david lynch decadence gardenning gaudiya vaishnavism george orwell gottfried helnwein grateful dead gustave doré haight-ashbury hans christian andersen hare krishna hayao miyazaki hieronymus bosch hinduism hippies iggy pop india jack kerouac jan svankmajer janis joplin japa jazz jefferson airplane jim morrison jimi hendrix ...

"Helnwein's subject matter is the human condition. The metaphor for his art is dominated by the image of the child, but not the carefree innocent child of popular imagination. Helnwein instead creates the profoundly disturbing yet compellingly provocative image of the wounded child. The child scarred physically and the child scarred emotionally from within."
Robert Flynn Johnson, Fine Arts Museums of San Francisco ...